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Four fonts, each with alternative characters, accents, numerals and punctuation.
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An elegant, flowing sans, block or gothic face is often the choice for secondary text in a layout where a
flamboyant feature style is used for primary text. However, a well formed sans can also look good when
used for headline text in more formal layouts. In these instances, outline or shade can help add a bit of
authority or punch.
The Chesham Sans font has lowercase but, as a speed-style, I always paint it caps only. Every signwriter
has their own version, it's often as recognisable as a signature, and is probably the most useful tool they
have. In gentle support of more glamorous alphabets, a neat sans face can be used every day on almost
any job.

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Lee Bros sign with secondary text
in Chesham Sans.
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Standing at the buffers - a sighing hiss, scalding drips, the smell of warm superheater oil and white hot steam coal.
____________________________________________________ Steel come to life. _______________

Lee Bros (Wade) with Chesham Sans secondary text
William Harling Studio, Chesham Sans headline. Tels: Stevens Percepta Light
1960s D.McMinn deilvery truck layout. Chesham Sans signwriting font
Rep. plate from Stanier 4-6-0 5XP Jubilee class steam locomotive, 45699 Galatea
Ayrton & Saunder's Areca Nut Toothpaste, Liverpool.
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Potlid layout, Chesham Sans and
Essendine.
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Sarah Script and Chesham Sans
Chesham Sans and Stevens Percepta Modified