![]() • • • • • Recognised as probably the most beautifully proportioned letters ever produced, the inscription* at the base of the Trajan Column has been the inspiration for thousands of Roman lettering styles. Essendine (formally named Senatus) although very much based on the inscription's letterforms, exhibits some differences from the original. Almost daily use as a speed-style has softened certain angles and lent the capital S the characteristic form my hand always seems to generate.
* The (enlarged) inscripion:
A translation: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() _______________________________________________________________ ________________________________________________________________ ____________________________________________________________________________
Two fonts, Regular and Small Caps. Alternative characters, accents, numerals and punctuation. ![]() • • • • • Recognised as probably the most beautifully proportioned letters ever produced, the inscription* at the base of the Trajan Column has been the inspiration for thousands of Roman lettering styles. Essendine (formally named Senatus) although very much based on the inscription's letterforms, exhibits some differences from the original. Almost daily use as a speed-style has softened certain angles and lent the capital S the characteristic form my hand always seems to generate.
* The (enlarged) inscripion:
A translation: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() _______________________________________________________________ ________________________________________________________________ ![]() ![]()
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